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Margaret Atwood Writing Tips, 'The Substance' VFX Breakdown, and Danny McBride's Idea Machine

Margaret Atwood Writing Tips, 'The Substance' VFX Breakdown, and Danny McBride's Idea Machine
Hey Filmmakers,
You’re back! We’re glad you are because we want you to start your week off right with some helpful craft articles that will hopefully inspire and motivate you.
First up—our main feature showcases writing advice from legendary The Handmaid’s Tale author Margaret Atwood. If you’re a fan of hers…or just a living, breathing writer who wants to write better, you’ll want to take a look. Also, we go behind the scenes of The Substance to see how the VFX were made, and Danny McBride explains why he’s so good at turning his ideas into great shows.
Let’s get to it!
🖌️ Screenwriting
The Handmaid’s Tale is in its final season, which, if you’re a fan of the show, is both devastating and kind of a relief, because one can only say, “Oh god, this dystopian show is starting to feel too real,” so many times. And that’s interesting, actually, because when Margaret Atwood wrote the book, she said, “Nothing went into it that had not happened in real life somewhere at some time.”
So, how did she do it? How does a writer of her caliber get to that level? Continue on to find out.
Continue Reading - 5 Writing Tips From 'The Handmaid's Tale' Author Margaret Atwood
🗞️ Quick Reads for Screenwriting
• Worldbuilding in an Instant: How 'Love+Death+Robots' Crafts Fully Realized Universes Quickly - Each story has its own unique world, so they have to do the worldbuilding for the audience incredibly quickly.
• Screenwriters, Don't Forget Your B-Stories - Beginning writers can get so focused on the A story they don't include anything else.
✂️ Editing
Director Coralie Fargeat’s The Substance is truly a feast for the eyes—specifically the feast of disgusting, greasy prawns Dennis Quaid devours at the beginning of the movie. If you want to see how the film’s VFX were done, The French company la Compagnie Générale des Effets Visuels put a breakdown on YouTube that breaks down our favorite and, yeah, most repulsive, scenes.
Check it out below:
Continue Reading - Check Out This VFX Breakdown From 'The Substance'
🗞️ Quick Reads for Editing
• Editing Oscar-Nominee 'The Substance' with Premiere Pro - Editor Jérôme Eltabet offers an inside look at the experimental post-production process of The Substance.
🎬 Directing
It’s hard enough to come up with one good idea, let alone many good ideas…let alone many good ideas that become TV shows…let alone many good ideas that become good TV shows. So, how was Danny McBride able to pull it off with hits like Eastbound and Down and The Righteous Gemstones?
He chats with Theo Von on his podcast and shares his secret sauce. Check it out below:
Continue Reading - How Danny McBride Turns His Ideas Into TV Shows
🗞️ Quick Reads for Directing
• We Asked the Director of 'A Minecraft Movie' for Advice and Got These 11 Tips - We speak with director Jared Hess and ask for some filmmaking advice.
• From Indie Purgatory to a Sold Out TIFF Premiere: The Story of TIFF's Next Wave Film 'Pools' - Director Sam Hayes takes us through every step of making his independent film.
🎙️Podcast
In this episode of the No Film School podcast, writer-director Christopher Landon (Happy Death Day, Freaky) joins No Film School’s GG Hawkins to discuss his newest film Drop, as well as his evolution as a filmmaker, how he overcame early failures, the importance of authenticity in storytelling, and the meticulous craft behind building tension.
Continue on for this week’s podcast goodies!
📚 Recommended Reads:
Why the Basketball Game from 'The Office' is Genius Writing
Find out why this scene was genius writing and direction.What Are Anton Chekhov’s Six Writing Principles?
We know about Chekhov's gun, but what are his six rules for writing fiction?Morgan Freeman Thinks This Separates a Good Director from a Bad One
I'd take directing advice from one of the greatest actors of all time any day.Jennifer Kent Tells Us What Horror Filmmakers Need to Know Today
We speak to the horror director about her seminal film, The Babadook.'Nobody Wants This' Editor Maura Corey Explains Cutting For Comedic Timing
There's always a balance in tone and visuals that brings a project together.Silent Battle Cry: How 'The Handmaid's Tale' Speaks Volumes Through Visuals
When words fail visuals speak.Explore more articles → Visit No Film School
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